Michael Small is an English-born composer.
His works often draw on visual or literary sources and seek to place the listener’s imaginative journey at the heart of the work’s narrative. Dreams, hallucinations, memory, flight, and surreal landscapes are recurring themes and inspirations.
Michael recently founded a podcast of interviews with composers called Composers' Notes, which you can listen to here.
Gloria Cheng premiered Debussy Window, as part of a series of tributes to Steven Stucky in New York on November 11th. The entire project, "Garlands for Steven Stucky" will be released on disc in mid-2018.
Michael's White Space received its US Premiere at the 3rd Momenta Festival on October 1st 2017. You can read about the festival and the other performances here.
Earlier in 2017, Michael had a very memorable week at the Weekend of Chamber Music Festival in the Catskills, NY. He worked with three young players (violinist and two cellos) to produce a short piece, and workshopped his new piano étude with Gloria Cheng.
Memory Palace (2015) for String Quartet was recently featured on WFMT Chicago's Relevant Tones music podcast. You can check out the episode here, which also features music by Anthony Cheung and Augusta Read Thomas.
Michael's How fair, how strange for solo violin received its UK premiere on June 30th, at the International Virginia Woolf Conference in Reading. The work was commissioned by Michiko Theurer as part of an innovative project relating the music of six composers to paintings informed by Virginia Woolf's seminal novel, The Waves. You can read more about it at our website.
Michael is also composing a new work for Oboe Quintet to be premiered by the Liverpool Oboe Quintet in early 2018.